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https://freight.cargo.site/t/original/i/F3000409647734319996398547282072/2025-09-20-112056.jpg https://freight.cargo.site/t/original/i/W3000409647771213484545966385304/b1b82c0cb33e8ce17f1c06b0a51d83a9.JPG https://freight.cargo.site/t/original/i/G3000409647697426508251128178840/19.JPG https://freight.cargo.site/t/original/i/G3000409647752766740472256833688/.JPG https://freight.cargo.site/t/original/i/X3004993629178118890285680863384/2026-06-26-6.09.24.png Article by Mathew Scott | The Hollywood Reporter · July 28, 2024 <a class="button-5-1" href="https://www.hollywoodreporter.com/movies/movie-news/china-first-frame-competition-women-filmmakers-1235957699/" target="_blank">View Details</a> → https://freight.cargo.site/t/original/i/A3004996829909576607777400858776/2026-06-26-6.19.58.png Film Review by Filmmaker & Journalist Ariunzaya Ganaa | MINT · 2025 <a class="button-5-1" href="https://www.unicornscreening.com/ecs2025-she-a-snake-discarding-its-skin-1" target="_blank">View Details</a> → https://freight.cargo.site/t/original/i/R3005002848860806930319578540184/2026-06-26-6.25.17.png Film Interview by Gwenaël Germain | Asialyst (France) · 2026 <a class="button-5-1" href="https://asialyst.com/fr/2025/08/26/cinema-frankenfish-river-chen-yusha-jeunesse-chinoise-reve-passer-adulte/" target="_blank"> View Details</a> → https://freight.cargo.site/t/original/i/R3005064844788970317822906902680/.jpg https://freight.cargo.site/t/original/i/A3005065369266797821532878448792/3d551d0b663e30902cdfadfe051122.JPG https://freight.cargo.site/t/original/i/D3005065642038802439476018194584/2025-09-20-112106.jpg https://freight.cargo.site/t/original/i/I3005065641854334998738922678424/2025-09-20-112101.jpg https://freight.cargo.site/t/original/i/Y3005066913757338881012506601624/14.JPG https://freight.cargo.site/t/original/i/B3005066913535977952127991982232/10.JPG https://freight.cargo.site/t/original/i/K3065666955601359841877811570840/2026-08-03-7.51.51.png 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love and flight?”A black stroke unfolds into a visual journey between medieval tales and the subconscious. Hand-drawn animation traces an intimate narrative of heartbreak, escape, and sensory desire. Conceptual Framework  The crystal chandelier—an object suspended between utility and ornament, between the domestic and the transcendent—becomes a site of phenomenological inquiry. This question inverts the traditional subject-object relationship, animating the inanimate while interrogating the anthropomorphic impulse itself. Tools  Procreate | Final Cut Pro <a class="button-14-6 button-6-1" href="https://youtu.be/Bmhkkpe7lyE" target="_blank">View</a><a class="button-14-6" href="https://youtu.be/Bmhkkpe7lyE" target="_blank"> </a> https://freight.cargo.site/t/original/i/C3001321130283496692920470775960/-8.jpg https://freight.cargo.site/t/original/i/I3001321130246603204773051672728/-3.jpg https://freight.cargo.site/t/original/i/J3001321130301943436994180327576/-7.jpg https://freight.cargo.site/t/original/i/Z3001321130338836925141599430808/-5.jpg https://freight.cargo.site/t/original/i/B3001321130209709716625632569496/-1.jpg https://freight.cargo.site/t/original/i/P3001321130265049948846761224344/-4.jpg https://freight.cargo.site/t/original/i/I3036609620964427814782286473368/2026-07-16-2.07.31.png Crystal Chandelier Experimental Animation • 3 min • Color Synopsis  "Does the crystal chandelier long for love and flight?”A black stroke unfolds into a visual journey between medieval tales and the subconscious. Hand-drawn animation traces an intimate narrative of heartbreak, escape, and sensory desire. Conceptual Framework  The crystal chandelier—an object suspended between utility and ornament, between the domestic and the transcendent—becomes a site of phenomenological inquiry. This question inverts the traditional subject-object relationship, animating the inanimate while interrogating the anthropomorphic impulse itself. Tools  Procreate | Final Cut Pro <a class="button-14-6 button-6-1" href="https://youtu.be/Bmhkkpe7lyE" target="_blank">View</a><a class="button-14-6" href="https://youtu.be/Bmhkkpe7lyE" target="_blank"> </a> https://freight.cargo.site/t/original/i/H3036890282032743529064843225240/2026-07-16-6.20.41.png Crystal Chandelier Experimental Animation • 3 min • Color Synopsis  "Does the crystal chandelier long for love and flight?”A black stroke unfolds into a visual journey between medieval tales and the subconscious. Hand-drawn animation traces an intimate narrative of heartbreak, escape, and sensory desire. Conceptual Framework  The crystal chandelier—an object suspended between utility and ornament, between the domestic and the transcendent—becomes a site of phenomenological inquiry. This question inverts the traditional subject-object relationship, animating the inanimate while interrogating the anthropomorphic impulse itself. Tools  Procreate | Final Cut Pro <a class="button-14-6 button-6-1" href="https://youtu.be/Bmhkkpe7lyE" target="_blank">View</a><a class="button-14-6" href="https://youtu.be/Bmhkkpe7lyE" target="_blank"> </a> https://freight.cargo.site/t/original/i/K3036890282014296784991133673624/.jpg A Fine Night Experimental Animation • 3 min • Color Synopsis  I am a man, defeated by a breakup, smoking alone at night. Next door, a party is raging—their music is terrible... Conceptual Framework The work stages a philosophical reversal: in the imagined narrative, the self is not the one who departs but the one who remains. This inversion —this refusal of victimhood—becomes a form of theoretical praxis. Fantasy functions not as escape but as epistemological strategy. I captured still images on film and used editing software to transform them into flowing animation, blending them with the raw sound of a dragging suitcase to create a mood of nocturnal melancholy. I felt both sorrow and the urge to laugh; I even imagined myself as a lonely man, saying goodbye to a lover and leaving Beijing. This fantasy became my remedy: in that imagined story, I was not the one departing — he was. Tools  Procreate | Final Cut Pro <a class="button-14-6 button-6-1" href="https://youtu.be/X0LebgkOTEs" target="_blank">View</a> https://freight.cargo.site/t/original/i/Q3036890281995850040917424122008/43.jpg Shedding Skin of a Female Lizard Experimental Animation • 2 min • Color Synopsis  Eyes lingering everywhere, like skin that can never be shed... Conceptual Framework This animated interlude, created for a live-action short film, uses the struggle of a female lizard and the pain of being "watched" as a metaphor for the dark and unsettling experience of a middle-aged woman. Artist Statement  Drawing from the film’s overall tone, I extracted visual elements from its dialogue and character traits (appearance, color palette, personality), developing a rough, expressive animation style infused with the aesthetic essence of Chinese ink painting to visually echo the inner narrative. 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